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New cinema in Syria: The revolution continues, but so does censorship

Syrian cinema has more or less escaped regime censorship, or else we would not have witnessed new films and directors reaching the highest ranks in festivals

Rashed Issa

Features

Syria: Let there be mayhem

As media turn away from covering government-controlled areas, Syrians are experiencing an unprecedented level of structural violence.

Myriam Youssef

Features

The audience of Syrian cinema in Germany: Between production and restrictions

What does the Syrian cinema look like in the Federal Republic of Germany and who is its audience?

Dellair Youssef

Opinion Syria Writes

Fighting Terrorism Or A Pretext For A New Occupation?

Ammar Dayoub

Ammar Dayoub writes about Turkey’s latest incursion into the PYD-held areas in north Syria. He discusses that Turkey’s motives behind the operation are to eliminate the Kurdish control, rather than help the Syrian opposition as it states. He analyses the different possible scenarios and outcomes of this operation and predicts...

Syria Writes Testimonies

A Syrian Visiting A Nazi Camp

Questions about the meaning of memory and being a refugee in Germany today

Inana Othman

Syrian writer Inana Othman went to Ravensbruck to attend a workshop with work. But visiting the former Nazi concentration camp, and thinking of the horrors prisoners suffered there, brought to her mind her own experiences as the daughter of a political prisoner in Syria. Othman contemplates the meanings of freedom,...

Features Gender

How Women Are Depicted In The Syrian Curricula

An Analysis of the educational process and the various curricula taught in the different influence zones across Syria

Lama Rageh

Lama Rajeh explores how women are portrayed in the various curricula taught across Syria today; in the regime-controlled areas, in the opposition-controlled areas and in the areas run by the Kurdish Autonomous Administration of North and East Syria. She analyzes how gender-balanced these curricula are, and she compares the teaching...

Filming Syria: The politics of access

Does Ahmad Ghossein's film contribute to the erasure of the history of the Syrian revolution?

Syrian students in Turkey caught between integration and an uncertain future

Learning Turkish, and remembering home

The diasporic alienation of Syrian cinema

In the absence of Syrian screening platforms, who is the audience?

As ordinary Syrians struggle with economic crisis, questions over looming sanctions under ‘Caesar Act’

New cinema in Syria: The revolution continues, but so does censorship

Syrian cinema has more or less escaped regime censorship, or else we would not have witnessed new films and directors reaching the highest ranks in festivals

Syria: Let there be mayhem

As media turn away from covering government-controlled areas, Syrians are experiencing an unprecedented level of structural violence.

The audience of Syrian cinema in Germany: Between production and restrictions

What does the Syrian cinema look like in the Federal Republic of Germany and who is its audience?

Idlib's healthcare sector faces more than one existential threat as pro-government forces advance

New Syrian cinema: Young and gasping

Men evading military service in southern Syria’s Suwayda feel ‘trapped’

Traditions of absence and ambiguity: The Syrian documentary and its public

Daraa's enduring rebellion

Mutations of Arab political filmmaking

Fighting Terrorism Or A Pretext For A New Occupation?

A Syrian Visiting A Nazi Camp

Questions about the meaning of memory and being a refugee in Germany today

How Women Are Depicted In The Syrian Curricula

An Analysis of the educational process and the various curricula taught in the different influence zones across Syria

Life of A Mother Fleeing Bombardment In Idlib

War on The Forests of The Syrian Coast

Syria Through an Artistic Lens

Friendly Fire

International Women's Day: Women on SyriaUntold

Syrian women push for political say in liberated areas

Cities in Revolution

Documenting the history of the uprising in six different syrian cities

Supported by

Syrian Cities

Newsletter

Does Ahmad Ghossein's film contribute to the erasure of the history of the Syrian revolution?

Learning Turkish, and remembering home

In the absence of Syrian screening platforms, who is the audience?

Syrian cinema has more or less escaped regime censorship, or else we would not have witnessed new films and directors reaching the highest ranks in festivals

As media turn away from covering government-controlled areas, Syrians are experiencing an unprecedented level of structural violence.

What does the Syrian cinema look like in the Federal Republic of Germany and who is its audience?

Questions about the meaning of memory and being a refugee in Germany today

An Analysis of the educational process and the various curricula taught in the different influence zones across Syria

Cities in Revolution

Documenting the history of the uprising in six different syrian cities

Supported by

Visual Archive

Syrian Cities